At the launch event of Frequency 2019, University of Lincoln filmed for their Why Arts Matter campaign. Hear from some of the partners of Frequency Festival 2019 and industry guests speak about Why Arts Matter and how we can all help to support and grow the arts.December 9, 2019 on Blog, Online Zone, Video
Victoria Roberts shares the creative process behind her black and white photographs, Industrial Quarry. The creative brief came from Frequency 2019’s theme of “Disruption=Cultural Reinvention”, during a module in her second year studying BA Photography at University of Lincoln.October 27, 2019 on Blog, Online Zone
Large scale black and white images show the magnitude of an industrial quarry and how it disrupts the surrounding landscape. A quarry can have multiple impacts on the environment; visual intrusion, dust, damaged landscape, loss of land and a deterioration in water quality.
Created in response to the Frequency Festival 2019 theme, ‘Disruption=Cultural Reinvention’, Robert’s photographs put the often-unearthly quarry landscapes front and centre, while her captions explore the work the industry is doing to restore this land to agriculture or woodland.
We are very excited to announce that our fifth edition of Frequency Festival will be hosted in Lincoln from 24–27 October 2019.November 20, 2018 on Blog
WHO IS JOE FACER?
Originally from Sheffield, Joe is currently studying English and Drama at the University of Lincoln. With an interest and active involvement with theatre throughout his life, he wrote and directed a play while at sixth form which raised £800 for charity. After his degree Joe wishes to attend a drama school after finishing university.
WHAT IS HE BRINGING TO FREQUENCY 15?
Joe Facer brings a small and intimate performance ‘Lincoln’s Underworld’ to Frequency Festival. Combining video, sound and live acting, this performance brings to life the strange world of St Peter’s Passage.
Lincoln Underworld is showing at the Chad Varah House Wednesday 28th October, 12pm and 3pm. Due to limited space, arrive early to get your place.
[im]Possible Constellations: Publishing in the digital age
Saturday 31 October 2015, 11.30-5, University of Lincoln *
ATTENDANCE IS FREE, and includes the option of attending a very special lights, laser and sound event at Lincoln Castle, part of Frequency Festival of Digital Culture 2015 and the Magna Carta 800 anniversary celebrations, starting at 7pm.
This symposium, supported as part of the AHRC-funded Academic Book of the Future project, considers the possibilities for the circulation, publication and exhibition of new ideas in the digital age, aiming to challenge and expand current perceptions of what high quality research outputs might look like in the 21st century, particular for those working in media subjects.
Our keynote speaker is Catherine Grant from the University of Sussex, a highly respected champion and producer of the video essay format. She established (and continues to curate for) the open access campaigning website Film Studies For Free, and the Audiovisualcy video group, and is also founding editor of the academic digital publishing platform REFRAME. Grant has published widely on theories and practices of film authorship and intertextuality, and has edited volumes on world cinema, Latin American cinema, digital film and media studies, and the audiovisual essay. A relatively early and prolific adopter of the online short video form, she is founding co-editor of [in]Transition: Journal of Videographic Film and Moving Image Studies. This new peer-reviewed publication was awarded the Society for Cinema and Media Studies’ Anne Friedberg Innovative Scholarship Award of Distinction for 2015.
MONOGRAPHIC? VIDEOGRAPHIC? PLURIGRAPHIC? TOWARDS (AN) ENRICHED MEDIA STUDIES
In her presentation Catherine Grant will examine current multimodal approaches to research and digital publishing in film and media studies. She will focus on two recent examples of audiovisual essays published online alongside written texts to argue that not only would film and media studies benefit from moving “Beyond the Book” as a presentational mode, but also from embracing the new networked and digitally enriched research methods and processes that lead to these enriched scholarly media forms, too.
Featuring speakers engaged in the commissioning, publishing, creation, archiving and housing of digital publications, this event is also part of the programme for the third edition of the Frequency Festival of Digital Culture (23 Oct-1st Nov 2015). Projects discussed as part of this event will include examples of digital ‘practice-as-research’ exhibited as part of Frequency Festival. www.frequency.org.uk
As part of the event schedule, participants will have the opportunity to explore the Festival trail throughout the city, and will be offered complementary tickets to the provocative and immersive digital projection extravaganza at Lincoln Castle as the final event of the magnificent Magna Carta 800 anniversary celebrations. **
In short, our debate will focus on:
what it means to create and share ideas in the digital age, drawing attention to different forms of digital publishing;
what it means to be an ‘author/creator’ in an age of increasing digital collaboration;
what it means to be a ‘reader/consumer/participant’ of such outputs
and should be of interest to creative media practitioners, academics, publishers, commissioners, students … anyone interested in debating the changing shape of publication in the digital age.
* Thanks to Virgin East Coast, a special direct ‘Festival’ train service from London to Lincoln will be available on Sat 31st Oct (leaving London at 9.10am, arriving Lincoln at 11.03) at super-discounted rate. Additionally, a free upgrade to first class, with symposium/Festival goodie bags, will be available on request. For those who need to return to London the same day, there’s a direct service that leaves Lincoln at 5.15pm arriving at 7.11pm.
** The One, The Few, The Many, by the seeper digital arts collective, will offer an incredible immersive digital version of Lincoln Castle, illuminating the dynamics of individual and collective power, past and present.
To book your FREE place, register here (limited to 30 places)
For further information please contact Sarah Barrow at firstname.lastname@example.org
WHAT IS CO_LAB?
co_LAB is the Collaboration Laboratory Research Network at the University of Lincoln, bringing together people from different fields and disciplines to collaborate on innovative trans-media projects. The co_LAB workshops have been held twice within the University of Lincoln as well as internationally.
Inspired by the previous MC2020 an EU Erasmus Intensive Programme, co_LAB implemented a similar teaching and learning model, to enhance collaboration through the use of digital, cloud-based collaborative tools.
The most recent workshop was held in May 2015, involving the College of Arts, College of Science and the College of Social Science within the University of Lincoln. The project theme was based on how the Magna Carta might be repurposed for the digital age, the brief was centred around surveillance culture, privacy and big data, with the outcomes being presented at Web We Want festival at the Southbank Arts Centre, London.
WHAT ARE THEY BRINGING TO FREQUENCY 15?
For Frequency 15, co_LAB are presenting three interactive experiences, Blind_Data, Caught in the Web and WWW25.
Blind Data places you on the other end of surveillance. Taking on the role of a data analyst, using just the digital footprint of individuals, can you determine what kind of people they are and whether they are just ordinary citizens or a potential threat? This interactive workshop challenges ideas and uses of online data.
Caught in the Web
Caught in the Web is a virtual reality web browser, created to immerse the viewer and take them through the developments in the 25 years of the web, exploring those which have either restricted or opened up new avenues for accessibility. Utilising the technology available through the Oculus Rift, immerse yourself in this experience.
WWW25 – What is the Web YOU want?
Created by James Field, Martyn Thayne and Graham Cooper, lecturers at the University of Lincoln, this interactive installation collates ideas and opinions from the audience and projects these into the work to crowd-source a digital Magna Carta for the future.
WHAT ARE THEY LOOKING FORWARD TO?
“The eclectic mix of projects that this festival always manages to attract. This year I’m most looking forward to Squidsoup’s Enlightenment – a project I have heard so much about yet never seen and now it’s on my doorstep!” – James Field
“After seeing a few of the projects at the world HCI conference, like Taphobos and Sky Cube, I’m excited to see even more crazy ideas at Frequency…” – Zach Jones
Find out more about co_LAB and their projects: http://colab.lincoln.ac.uk/
Tweet them @co_LAB_UL